Move aside B-Town, Indian politicians who have won hand down, with having bogus profiles on most popular social networking site twitter. In real life it may be quite difficult to track them but on Twitter and other social networking web site their bogus profiles are all over the place. I checked out a few biggie politicians profiles and here is what i found sharing with you people.
Real Identity: Rahul Gandhi
Twitter Con : @Owl Gandhi
Tweets: Thank you mahatma U gave country freedom, last name to my family and Delhi ki gaddi.
Real Identity: Sonia Gandhi
Twitter Con : @Sonia GaXdhi President of the Indian National Congress & They know it.
Tweets: Paid news should be banned & the money better deployed in building robust infrastructure for the poor people.
Real Identity: Dr. Man Mohan Singh
Twitter Con :@DrYumYumSingh:
In her majesty’s service
Tweets Con:I address Myself at a public rally. It was a very moving experience for me. The crowd hardly moved until I was removed
Real Identity: Laloo Prasad Yadav
Twitter Con: @lalooyadav:If you messing with the Bihar, I am sending you to the Tihar! Mind it, sasuraa!
Tweets: Paul the octopus making good predictions in the football WC. Hum bhi use katoonga next election mein. Par dono box pe hamarhi phtu hoga.
Real Identity: Suresh Kalamadi
Twitter Con: @kalmadispeaks:I am suresh kalmadi- CEO of the Common Wealth Games (CWG)2010 Tweets: skin clinic contacted me.. thy want to test my skin …just to ujnderstand how can it be so thick..WOW ANOTHER WAY 2 MAKE MONEYJ
Real Identity: P Chidambaram
Twitter Con @PChee_D**nBram: Intellectually Arrogant in a party of jokers!
Tweets:Mantra of India. Add Gandhi surname to a person and turn a nerd to the most intelligent.
Madhya Pradesh, heart of India. Uttar Pradesh, Chhattisgarh, Maharashtra, Gujarat and Rajasthan these are neighbor state.Vindhya and Satpura two hill ranges of Madhya Pradesh.
These hills traditionally placing a boundary wall between north and south India. Madhya Pradesh is state of agriculturally fertile have rivers such as Narmada, Tapti, , Chambal and Betwa. Narmada worshipped locally and nationally as a Hindu goddess like Gnga river . Narmada runs between the two hill ranges.
Madhya Pradesh also known as landscape of plateaus by its natural features. This state is fully naturalized of nature with river valleys hills and forests but here can been seen as plateau land with low hills. Weather of this state is mostly warm and dry. In summer time here unbearably hot weather .
Madhya Pradesh is primarily rural state and its have larger tribal economy which are running with agriculture and forest .Now Madhya Pradesh developing here urban area with most structure way with global presence
The most anticipated film of recent times is all set to hit the screens in a couple of weeks and it is none other than Abhishek Bachchan, Aishwarya Rai and Vikram starrer Raavana directed by Maniratnam. After experimenting with different genres, Maniratnam this time has reportedly made a film which is a more of a modern day version of the great Indian epic Ramayana in which the wife of Lord Rama, Sita was abducted by the demon king of Lanka, Raavana. It is being said that this modern version will have a new twist of the great epic.
The film is a confrontation between Dev a policeman and Beera a tribal. Dev manages to rip open Beeras world which changes lives, changes fortunes. Beera though injured, but enraged hits back at Dev by abducting his wife t a jungle. The forest becomes the settling ground between good and evil. As said earlier, a lot of hopes are pinned on this film not only for its story, screenplay and the director, but also for its ensemble star cast. Apart from Abhishek Bachchan, Aishwarya Rai and Vikram being the main protagonists, Govinda, Ravi Kishan, Nikhil Dwivedi, Priyamani, and Tejaswini Kolhapure play prominent roles in the film.
‘Kites’ Rakesh Rosan film Bollywood film which is willing to release world wide and also its distinguish two part release the Indian version and the other world scenario. Just like kites fly in the sky in this film Barbaraand Hritik fall in each other love and they want to fly with together in this world without any obstacle in their way .
But Hritik and Barbara have their own lives with some one else and want to broke this live because they have fallen love in each other , difficulties is begin you can say the battle field of love now prepare from here and movie now quick move in action thrill passion for love and draw a line of art to attract the world wide youth .
Specially Indian and Bollywood industries an entry of Hollywood actress play lead role in this movie so the people want to see, I think they are waiting this movie because before three idiot which make a lot of fun for people at least two month they willing to thrill now and only kites is hope which do this a good movie for Indian people and Bollywood in this session. This is my thouts may I want to know your thoughts also……………
Life Without love is like a tree Without blossom and fruit
In the film Avatar, an ex-marine leaves his body and enters an alien world to be part of Aavtar program. And James Cameron hopes the same thing will happen to you, thanks to totally-immersive CG and 3-D. By that measure, Avatar fails. But it delivers a fantastic ride. And here's your spoiler warning. Spoilers ahead!
So in Avatar, Jake Sully is a marine who's suffered a spinal injury (someone "blew a hole in my life," as he puts it) and his life is going nowhere. Until he gets a chance to go to the far-off Pandora and take his dead brother's place, piloting a genetically engineered "Avatar." Built out of alien DNA, the avatar allows Sully to walk among the Na'Vi, the giant blue natives of Pandora, and look like one of them. Because Sully is a warrior, like the Na'Vi tribespeople, he finds acceptance in their ranks — even as he knows his fellow humans are preparing to relocate the Na'Vi by force, to get at a rich supply of a rare substance called Unobtanium.
As Jake learns to use his new alien body, leaping from treetops and clifftops, romancing the chief's sexy daughter (Zoe Saldana) and bonding with a flying dragon for life, you'll discover your new favorite escapist fantasy. Jake falls in love with the excitement and the nobility and yes, the biodiversity, of Pandora, and you're right there with him. Avatar's journey really does feel magical and transformative, for Jake and for the audience.
It's hard to imagine a movie where medium and story are so closely married. Even as Jake Sully climbs into a coffin and abandons his human body for a spry alien one, Cameron is hoping to pull you into his alien world to a much greater degree than the usual movie immersion. Cameron has spent untold millions of Fox's dollars to make you forget you're really in a movie theater, instead of on an alien planet. The whole exercise is a metaphor for the experience of watching any movie, with Cameron's camera lens represented by the beds that transfer people's minds into alien bodies.
And the film's 3-D, CG and motion-capture really are all they're cracked up to be. The scenes which look trifling on your little computer window become etched on your mind's eye, when you see them on the big screen in 3-D. The transition from live-action to animation feels like a costume change, and when live-action people are on the screen with CG characters, it's miles away from Roger Rabbit, or even from Andy Serkis' Gollum.
Cameron is clearly saying: Look what technology can do. It can tight-beam your consciousness into a totally foreign time and place. And just maybe, like Jake Sully, you'll find yourself going native.
There's only one problem with this notion, and it nearly wrecks an otherwise nearly perfect movie: The further we venture into Pandora's heart, the more unconvincing it is. At first, the forest moon is heart-breakingly beautiful and well-realized, and every weird creature on the planet stands out in its own way. When Jake gets chased by big dinosaur-like monsters, it's tons more thrilling than your standard Roland Emmerich/Michael Bay CG spectacle. But once Jake gets himself embedded among the alien Na'Vi people, the illusion starts to fall apart.
This is partly because once you're surrounded by Pandora's fantasy-land, it starts to get just a bit too pretty, and certainly too rich. About the time hundreds of glowing tree-spirits land on Jake's blue avatar body, the animation starts to feel a bit... cartoony.
But more than that, we never really see the Na'Vi as a convincing society — instead we see a ludicrous "noble savage" stereotype, that only gets cruder and more ridiculous the deeper into it we go. When Jake is only interacting with Saldana's character, Neytiri, their interaction feels natural enough. But once you're in the middle of a Na'Vi crowd scene, you have a harder time believing in these people. And that, in turn, may pull you right out of the movie.
Cameron has clearly thought endlessly about every aspect of this movie's worldbuilding, but it never seems to have occurred to him that populating his planet with Pocohontas/Tarzan ooga-booga people would be a mistake. The Na'Vi are animalistic and in tune with nature, and they're good-hearted in direct proportion to their simplicity. They worship a mystical world-mind and its messengers, magic happy tree spirits that connect them to their ancestors — through their magical native-people hair. (Their tree/ancestor religion turns out to have a scientific basis, to be fair.)
By the time the Na'Vi's matriarch is leading the whole tribe in a hippie ritual, with lots of swaying in front of the sacred tree, you'll be rolling your eyes so much, it may interfere with the 3-D stereoscopy. (When I mentioned the term "forest moon" a little while ago, it may have created an association in your mind. That association was not entirely unintentional.)
In a way, Cameron's strengths work against him a little bit here. The humans' world feels completely lived-in. Pandora's soldiers could have stepped right out of the first reel of Aliens. Cameron is in love with all of the toys, from the Huey-helicopter-inspired flying machines to the "avatar" chambers. His human characters are mostly well-worn archetypes, from the weaselly evil corporate guy (Giovanni Ribisi, channeling Aliens' Paul Reiser) to Stephen Lang's brutal Col. Quaritch (bringing the George C. Scott) to Sigourney Weaver's tough scientist with a heart of gold. The human world isn't as original as Pandora, but it feels a lot more fully inhabited. The contrast doesn't do the dragon-riding, hissing, deeply spiritual tree people any favors.
It's likely that if the Na'Vi felt as real as the human society — if you could feel the dirt under your fingernails after a day's bow-hunting and chafe under the patriarchal tribal leadership — then the escapism of running off to join the clan might not seem as alluring. In his earlier movies, Cameron never had to try and make us fall in love with Skynet, or the Alien queen. So it's not surprising that he stumbles when he tries to create an "other" that's lovable rather than scary.
The movie's other big problem is somewhat related: It gets preachy about environmentalism, to an extent that may grate on your nerves. Early on, when Jake is learning about the nature-loving ways of the Na'Vi, he grumbles that he hopes this "tree-hugger crap" won't be on the final exam. And it totally is.
But like I said, Avatar is otherwise a nearly perfect movie. (It's up to you whether stereotypical native peoples or eco-lectures are a deal-breaker.) As an action-adventure movie, it's vastly superior to pretty much any you've seen in the past few years. As science fiction, it's thrilling, because it's pro-exploration and its most unambiguously heroic character is Weaver's character, Dr. Grace Augustine. It shouldn't feel so refreshing, to have a smart, heroic scientist whose scientific explanations are cool and important to the movie, but it is. Weaver has lost none of her fire, and is a joy to watch.
Sam Worthington, as Jake, does a great job of selling his slow transformation from cynical wise-ass human to a warrior of the Na'Vi people, without overplaying it. Worthington has that rare gift, of seeming totally down-to-Earth even when he's in the middle of a totally outlandish scene, and it keeps him completely relatable even as he's embracing a totally alien culture. He really does carry the movie, in both his human and alien bodies.
And you have to admire a movie whose central message is that only by becoming a wholly artificial life form can you touch something true and natural. This contradiction is at the heart of the movie — a luddite fable made with technology so advanced, Cameron had to create it from scratch.
Cameron deliberately avoids any of the usual cop-outs you'd see with this kind of story. The natives know from the first time they lay eyes on Jake that he's a "dream walker" (their word for alien meat-puppets operated by sleeping humans. And they call humans the "sky people.") When they come to accept Jake as one of them, it's with the knowledge that he's actually a tiny pink-skin in a tank somewhere. And the movie's arc isn't the standard one, of Jake realizing that he's "really" a human and should stop trying to pretend to be one of the aliens. Rather, becoming a genetically engineered, and hence synthetic, creature allows Jake to discover who he really is.
So, to sum up, everything you've heard or thought about Avatar is true. It's one of the most vivid, visceral movies you've ever seen. It's cheesy enough for ten Swiss villages. It's James Cameron delivering an action thrill ride, at the top of his game. It's a schlocky Dances With Wolves rip-off. It will transform the way you think about movies forever.
Many one who have seen the film have an opinion that since so much time (10 years), effort and sweat has gone into creating stereoscopic 3D effects for the film, and combining live with computer animation, one ought to be appreciate it. As it might be true, at the day of the end, if a film fails to establish an emotional connect ion with the audiences, no effects whatsoever can salvage it or make it special.
Coming to the story, Jake Sully (Sam Worthington) is an ex-marine who is forced into participating in Avatar program. The program is setup by humans and comprises of encroaching a distant moon Pandora as it has an abundance of precious minerals on its land. However, getting hold of Pandora won’t be easy as humans can’t breathe on it. Also, the warrior Na’vi tribe resides in it.
In order to encroach Pandora’s land, one has to be able to breathe its air and thus become one of the Na’vis. Scientists thus create these genetically-bred human-Na’vi hybrids known as Avatars. The Avatars have a Na-vi body and a human DNA. Jake becomes one such Avatar...human kind’s weapon to make truce with Na’vis and thus force them to evacuate their planet. As Jake starts shuttling between his human and Na’vi body, he starts getting emotionally attached to Pandora and there begins the conflict between his medium of existence.
Avatar begins well but goofs up as it progresses. The story which seems promising initially starts faltering the moment Cameron shows Jake fall in love with a Na’vi woman. The film then on becomes just another clichéd love story where a hero will save his lover and her people from the villains. The villains happen to be humans here who now want to wage a war on the Na’vis as they refuse to give in to their demands. Jake even readies himself to battle it out with the humans to save his Na’vi tribe... things people do for love! If the love wasn’t clichéd enough, Cameron even makes his hero single out the lead villain and engage him in a one-to-one fist fight with him!
Avatar begins well, drags tremendously in between and then picks up on its pace towards the climax, but its too late by then. Titanic oozed romance and we loved it but the setting of Avatar didn’t require romance as its prime ingredient. This wrong move of Cameron transforms a sci-fi ‘Avatar’ into a highly clichéd run-of-the-mill dramatic love story set against a war backdrop.
The film is a visual delight, but lacks an original plot. This visual treat doesn’t make up for the weak storyline. The infusion of human trauma in an idyllic fantasy setting doesn’t seem to be a good idea! Avatar loses direction somewhere along the way, and its huge length plays spoil sport too.
Performances are decent, but not outstanding. Unfortunately, so is the film! However, ‘decent’ is not what one expects from a James Cameron.
In Indiathe multiplexes have started to setting up 3D screens for James Cameron’s world-wide promoted sci-fi movie ‘Avatar’, which is slated for a worldwide release on December 18th .
According to Indian industry insiders , the number of 3D screens in the country is now expected to increase from around 40 to about 70 by the time the movie ‘Avatar’ is released.
"I believe that the 3D version of 'Avatar' is going to be the revolutionary movie for this youth generation," said Aditya Shroff of Fame Cinemas.
"Hence, Fame is trying to go as wide as possible with the 3D release," added Shroff, who is in charge of the company's distribution, programming and corporate sales businesses.
Conceived by Cameron 14th years ago, the movie is being touted as a ‘fully immersive cinematic experience of a new kind’ and a ‘revolutionary technology’ that will ‘alter movie-making experience’ across the globe.
‘Avatar’ has been shot using the fusion digital 3D camera developed by Cameron and Vince Pace, the movie's director of photography. To be released in both the 2D and 3D formats, the film is the director's comeback venture after his multiple Oscar-winning ‘Titanic’ (1997). It will also be dubbed in Hindi, Tamil and Telugu for the Indian viewers.
As of now, New Delhi has 3D compatible screens at PVR's Ambience and select Citywalk multiplexes. Single-screen theatres like Central Plaza in Mumbai and Urvashi in Bangalore are also going 3D before the release.
Cinemax in Andheri, Mumbai has updated itself with the technology, while cinema chain Inox will have 3D screens in Pune, Baroda, Bangalore, Hyderabad, Chennai, Nagpur, Raipur, Rajasthan, Indore and Kolkata.
But multiplex chains like Spice Cinemas and Wave on the other hand have decided to stick to the 2D format.
"We don't have that provision and will be running the movie on the 2D format, as 3D requires digital projectors and we run on telecine machine," said Amit Awasthi, Programming and Operations Manager of Noida-based Spice.
"A digital machine costs around Rs.45 lakh where you have to download a movie and then play it. You also have to make some changes in the screen to make it 3D compatible," Awasthi said.
Fox Star Studios India’s Chief Executive, Vijay Singh, said, "The dramatic increase in the number of 3D screens, as well as the strong interest that we are getting from the Hindi, Tamil and Telugu language markets reaffirms the strong buzz for the film."
Produced by Twentieth Century Fox, the motion picture is a blend of live-action photography and virtual photo realistic production techniques. It is also touted as the most expensive film ever, made at a whopping $230-million (Rs.1,200 crore) budget.
Starring Sam Worthington, Sigourney Weaver and Zoe Saldana, the movie depicts the story of a wounded ex-marine thrust unwillingly to exploit an exotic planet rich in bio-diversity, who eventually crosses over to lead the indigenous race in a battle for survival.
Scrabble Entertainment, the only digital cinema initiative (DCI)-compliant deployment entity in India - which is also an intermediary between content owners including major studios and independent distributors and exhibitors - is upbeat about the development.
"The demand for 2K digital and 3D systems is from all corners of the county. Even the single-screen exhibitors want to capitalise on the opportunity of screening 'Avatar' in 3D," said Scrabble’s Chief Executive, Ranjit Thakur.
"The demand for the film has created a worldwide shortage of digital equipment," Thakur added.
Real Identity: Dr. Man Mohan Singh
